Iago’s Use of Tone and Simile to Deceive Othello in Shakespeare’s Othello :: Othello Essays

Iagos Use of Tone and Simile to Deceive Othello in Shakespeares OthelloThe greatest and best villains in literature are those who feature the ability to manipulate others in order to further their own causes. In Othello, Iago has the insight and tact to manipulate the other characters, such as Cassio, Roderigo, Desdemona, and in this case, Othello. The methods by which Iago works the other characters are varied, and one prime mannikin of his cunning ability to manipulate can be seen in figure out III.iii.333-450. In this passage Iago utilizes many rhetorical strategies to his advantage in point he uses specter and simile. These rhetorical strategies are instrumental in the lying of Othello.Throughout this passage Iagos tone when he speaks is critical in his effort to make Othello do as planned. This tone is one of honor and loyalty, and is used effectively to make Othello trust Iagos statements. Iago appears to be innocent in his reluctance to relate to Othello what he knows a bout Desdemona and Cassio, as seen on lines 373-380. In this berthicular passage Iago uses his tone to demonstrate how he did non want to make enemies by telling the truth. Consequently, Othello assumes that Iago is not a part of any scheme and therefore must be telling the truth. The tone of innocence and loyalty to Othello is one of the methods by which Iago successfully manipulates Othello.Not single does Iago utilize the rhetorical strategy of tone, he also employs similes to emphasize points. On lines 403-405, Iago uses multiple similes with the intent of deceiving Othello into thinking that Desdemona and Cassio had a promiscuous relationship. By grammatical construction that they were as prime as goats and as hot as monkeys, Iago is most directly saying that they are having wild sexual relations. Furthermore, by use these similes, Iago helps to confirm Othellos suspicion of Cassio and Desdemona, which was brought about by Iago in the inaugural place. The use of similes is instrumental in Iagos manipulation of Othello as seen in this passage.